December 11th, 2013
Near as I can figure from his baffling website and much clearer Wikipedia page, Bisson is a well-respected American sci-fi writer with many serious, vaguely political novels to his credit. I researched this only briefly, but it sounds about right because *The Pickup Artist* read like the sort of cool-idea light-hearted adventure that serious author writes as a fun exercise and/or a wink at his fans. I found it a one-note, dull slog, but I’m not a fan (or a person who had heard of this author outside of this book) so I guess that’s why.
What is this book doing in my home, you ask? I have a theory about that. I had surgery in 2007 and it put me out of commission for a good while. Knowing this was coming, a few kind folks gave me books to read during recuperation. Some close friends gave me lovely things, but some people, just sort of generally wanting to be kind, seemed to give me books at random. I ended up with some really odd stuff, but it didn’t matter because I was both in a lot of pain and on a lot of pain medication (you’d think those two would cancel each other out, but no) and thus unable to pursue anything more intellectually rigorous than episodes of *Friends*, of which I watched many. I’ve been working my way through the books very slowly ever since I went off the codeine.
Which all just to explain what I was doing with a book in my house that contained none of the things I like about books. *The Pickup Artist* is about life on earth an indeterminate number of years in the future. The future is hazily imagined except one thing that is explained at GREAT length throughout the book–at some point, the world could not tolerate the backlog of artistic creation. New artists could not gain attention when there was so much old, excellent art lurking around for people to enjoy: how could you enjoy some new poet if you were constantly distracted by the Modernist canon? It’s the sort of logical-conclusion conversation people have late at night, and it’s interesting enough as a concept.
There’s one or two other interesting ideas–a cloning experiment gone wrong, a listening bug that convinces the target to keep it close with sexual gratification–but this book never gets past the level of the late-night ramble. The protagonist has almost no personality and certainly no backstory–apparently he was just a rule-follower who lived with his mother and dog and NEVER KNEW ANY OTHER PEOPLE. When he teams up Hank, a big-breasted librarian, it seems like things might take off, but even though they set off on a madcap roadtrip through middle America, Hank spends most of the rest of the book in sullen silence and we never learn much about her, other than that she has been pregnant for 8 years (don’t ask). She is the least interesting character in the world but she wears a mood sweatshirt that Bisson references almost every single time he mentions her. Apparently, if we know her mood, we don’t need to know anything else about her as a person.
The personal level of this book is non-existent. It’s all about the extrapolation of that one cool idea about the canon-purge. We get alternating chapters of “historical” (history in terms of the present-tense of the book, but still future from 2013) descriptions of how the laws came to be in place to delete certain works of literature, music, and visual art. Those historical chapters are shorter than the “plot” chapters, but they are crazy dull. There’s a twist at the end involving some of the historical characters and though I remembered who they were all too well, I did not care one iota.
Blech. There’s a tiny bit about the protagonist wishing he knew his absent father, but this is merely repeated, never expanded or explored. You don’t find out what happens to anyone at the end, which didn’t matter except I kinda wanted the zombie dog to make it. No one develops or learns anything, they just go places very slowly and repetitiously.
I wouldn’t be surprised to find out Bisson is a great writer–this book reads like it was written in a weekend, maybe at an airport–he’s probably better when he puts more effort in. But I won’t be doing that because I disliked this book enough to steer clear of this author for a good long while.
Off the shelf fail!